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Thursday, 22 December 2016

Silent Valley, Open House Belfast, text by Samantha McGahon

Writing and image by Samantha McGahon. 
Samantha attended the Silent Valley tour which ran as part of our Open House Festival 2016 and wrote this beautiful reflective text about her experience.





As I drive along the motorway I have the urge to follow a truck and its cargo to its final destination, along behind, along the motorway.
Perhaps its end is only the next turn off the motorway up the ramp to the next building site or construction site. the junctions one after the other disappear  in the rear view mirror until reaching a ship yard container park to be loaded, piled, winched, levered from solid ground to flowing tides of commerce. Destinations logged, shipments dispatched.
I cannot follow these goods beyond my planned trips but can I follow my own shipment of bricks from the kiln. From where? Ireland, Turkey, India? In India where women in bare feet bend moulding clay, stamping logos into wet clay in the dry season while nicely dressed young men coach them through rehearsed interviews.
Taking a peak into red hot furnaces, temperatures decided which colour the bricks out from grey to red.
"Where are the bricks made?" Asks the lady as we stand in the subtearreranan tunnel of the overflow pipe of The Silent Valley Dam
"I don't know you'll have to ask Phil he should know." 
As we stand waiting to climb down the ladder to the funnel, I stand at the back at the group a young couple, the father in wheelchair carries his young daughter on his lap. Going up the hill they both help him, or stop him from falling back. At the top of the hill mother and daughter go to explore some stairs while he waits at the top.
We climb down the ladder past the abandoned jackdaw nest, through the tunnel lit by the torch of guide/engineer/headof department listening for he's desire for the water to 'dirtier' as the natural water is too clean to treat.
I find Phil
"Where is the brick made?
"In Northern Ireland I think,"
Is that another history?

Videos
https://vimeo.com/189281099

Wednesday, 21 December 2016

EXHIBITION of Work by Master of Architecture students, QUB

PS², 11 North Street, Belfast, BT1 1NA

vernissage/
viewing on Wednesday 21st December 6-8pm

                                                         

Farming produces waste like other industries. Not just shapeless carrots or pumpkins passed Halloween, but by-products such as used animal bags or farmers twine. This difficult-to-recycle waste material is now the material and subject of practical, spatial design proposals by architecture students from Queen's University, Belfast
 



Three groups of Masters of Architecture students at Queen’s University show the outcomes of their material investigation. They present an alternative approach to architecture- finding the spatial story of a material through intimate scrutiny, trial and application. The hope is that it leads to a tighter fit between technology, construction processes and spatial experiences, resulting in less waste, and more sustainable, innovative outcomes. 
This work arises from the Architecture Masters Studio: Without Precedent, led by Professor Ruth Morrow and Architect, Robert Jamison in the School of the Natural and Built Environment, Queen’s University Belfast. 
Opening hours week commencing 19th DecemberTues and Wed, 1-5pm

Monday, 31 October 2016

Art & Architecture | Exhibition & Events

Monday 7 November 2016
Black Box, 18-22 Hill St, Belfast BT1 2LA
Contact: +44(0) 28 9036 8963; [email protected]

Led by Ulster University's Transitional Justice Institute with local artist David Turner and architect Michael Wilkinson, we will reimagine the peace walls as spaces for sharing and for learning about all sides of the community.
David and Michael will explain their approach to design and demonstrate the creative process, and will then invite guests to attend the Ulster University's Art College on 8 and 10 November to come in and work on their own designs.
Background:
Artist David Turner and architect Michael Wilkinson have been working for 18 months on a cross-disciplinary, multi faceted project, 'The Theoretical Re-development of Belfast'. While both are firmly grounded in their artistic and architectural practice respectively, they are both conceptually driven. Their work progresses through a mutual understanding that no constraints be placed on ideas. This allows for any and all possibilities and outcomes to be evaluated. No ideas are bad ideas.
Between artist and architect, the project is envisaged as a multi faceted Urban Regeneration project. It seeks to Reimagine the City of Belfast and use this as a catalyst to promote good design throughout the Provence of Ulster. The work is largely artistic in conception and explores many avenues. It is a beginning and a process rather than a conclusion.

Monday, 24 October 2016

StreetSpace - Mapping Castle Street Workshop


 You are invited to the workshop: ‘Mapping Castle Street: an interdisciplinary workshop about the character of the street’, in PLACE on November 17-18, 2016.



Streets are scenes of conflict. They are contested public spaces where fundamentally different people can meet. Architects, planners, designers and policy makers have designed, managed and controlled the way streets are used, occupied and transited. Academics have raised awareness of the value of streets that are diverse, vibrant and inclusive, while urban policy focuses on the commercial value of city streets, and urban designers in their aesthetic and formal qualities. 

But what makes a good street? Is it the boundaries and thresholds created by buildings binding it? Is it the use of those buildings? Or is it the street’s identity, history and memory?

We will develop a series of layers of analysis including but not limited to: mapping, drawings, diagrams, photographs, interviews, archive work, soundscapes, and more.

We are not looking for a universal solution to the use, design and management of streets, but a culturally specific array of possibilities that our streets could potentially have. 

Castle Street is an ideal case study to consider, for it is in the core of the city, it connects very different areas, and above all it is loaded with meaning and potential.

We invite students, academics and professionals of architecture, planning, anthropology, sociology, history, psychology, film, media, arts and any other disciplines interested in the analysis of public space.

Join us for two days of exploration!

The workshop is free of charge.

Location: PLACE,  7-9 Lower Garfield Street. Belfast
Date: Thursday 17 and Friday 18 November 2016, 10am - 5pm

Please RSVP Agustina Martire to confirm your attendance before November 16th. [email protected]

Facebook event: Check for updates on presentations and participants.

Tuesday, 11 October 2016

StreetSpace Reading Group, QUB


Streets are scenes of conflict. They are contested public spaces where fundamentally different people can meet. Architects, planners, designers and policy makers have designed, managed and controlled the way streets are used, occupied and transited. Academics have raised awareness of the value of streets that are diverse, vibrant and inclusive, while urban policy has many times focused on the commercial value of city streets, and urban design practice focuses on the formal and aesthetic principles that constitute a good street.

But what makes a good street? Is it the boundaries and thresholds created by buildings binding it? Is it the programme and use of those buildings? Or is it the street’s identity, history and memory? How different is a street defined by one single block building, from a succession of diverse plot sized buildings? Do these physical elements affect the use and perception of the street?

This reading group will explore different approaches to the analysis of streets as public spaces. We invite students, academics and professionals of architecture, planning, anthropology, sociology, history, psychology, film, media, arts and any other disciplines interested in the analysis of public space.

Location: Training room 6 - The Graduate School - Queen’s University Belfast
Dates: Thursdays 12.30pm
13 October / 3 November / 8 December

First Reading: Appleyard, D., Gerson, M. S., & Lintell, M. (1981). Livable streets. Berkeley: University of California Press.

Please RSVP Agustina Martire to confirm your attendance. [email protected]
Please bring your own lunch and coffee.
Facebook event:
Link to first text:

Thursday, 1 September 2016

Exclusive Film Preview: New Town Utopia

Exclusive Preview: New Town Utopia
Brownlow Library
Craigavon 
BT65 5DP
Tuesday 6 September
6:30pm
FREE

We are delighted to host film maker Christopher Smith, director of New Town Utopia for an exclusive Q&A and preview of excerpts from his upcoming documentary.

Christopher is joining us as part of Capturing Craigavon - a community-led, PLACE-delivered, investigation into the history of the new town of Craigavon. This event is the final in a series of documentaries, assembled for their insights into the design history of the 20th century, with a particular focus on the post-war urban design and architecture style from which Craigavon emerged.

In preparation for the event, we asked Chris for a little background to the project.

What inspired you to make this documentary?

I grew up in Essex and spent a lot of time in Basildon as a child. It always had a sense of ‘otherness’ compared to other towns. This came from the architecture and textures and the intriguing sculptures and public art.

Tuesday, 16 August 2016

Ward Wylie Atelier Presents: Landscape Anomalies

Ward Wylie Atelier invite you to the launch of new work centred on the Glens of Antrim.
The work consists of a boxed-set of writing, maps and photographs responding to notable aspects of local landscape. Anomalies which catch the eye, delight the mind and so enrich the wider experience
of hills and glens.


Venue: J. Mc Collam's Bar Mill St Cushendall
Friday 23 September 6.30 - 9.30 pm
Music and light refreshments